Archive for category Needless
Earlier this year, the 100th chapter of Needless debuted, a remarkable milestone for any manga, especially for one that is published monthly. Not only did the chapter serve as a landmark for the manga itself, but it corresponded with the crowning achievement of the series protagonist, Cruz Schild, commonly known as Yamada. As Needless has progressed through these past nine years, the story has evolved into one that emphasizes the growth and maturity of its central, most-dynamic character. It has literally become the story of a boy becoming a man (while dressed as a girl), and the events and adventures over the entire manga easily demonstrate the greatest exhibition of character development that I have ever witnessed in my limited history of anime/manga and is a viable candidate for the greatest of all-time.
Needless is innovative and creative, especially in its storytelling. Throughout the manga, there have been countless examples of where character development or story progression have been told or shown in a way that directly generates interest, creates suspense and surprise or is just unanticipated fun and amusement (for example: Kuchinashi). And of all the methods utilized, the most innovative might be how Needless has unveiled its past. Rather than relying solely on flashbacks or lengthy exposition, Needless has decided to show us its past through a variety of diverse means and styles. And rather than reveal everything about the past together, it’s been fragmented into various segments, allowing the manga to answer the immediate concerns while raising other questions to create further intrigue and mystery. And with another new style presented in this chapter, it’s time we recognize a few of the brilliant storytelling techniques employed in Needless.
There is a line that separates good and evil but, depending on your perception and your circumstances, the line may be displaced, blurred or somehow obscure and therefore indiscernible. Within Needless, this line has shifted, slanted, curved and distorted to show that the characters are not accurately bound to the traditional labels of “good guys” or “bad guys”. And because of this ambiguity regarding these ethics, it has allowed the characters to freely switch and flip side given their personality and the situations they find themselves in. In fact, it’s rather difficult to tell who’s what anymore besides the few central characters at the heart of the story. And because of this inability to distinguish good from evil and vice versa, it has accounted for numerous surprises, remarkable character growth, several entrancing fights and, perhaps greatest of all, even more unpredictable fun and amusement. **Warning: spoilers below**
Fight are fought and won with Fragments. The stronger Fragment, the most likely you are to win your battles. But Fragments alone aren’t necessarily the only factor, nor even the central factor, when resolving conflicts in Needless. It is how these Fragments are used, through intelligence or innovation, which ultimately decides the victor and the defeated. So, is it possible to win against a Needless with not only one of the strongest fragments but also one of the greater intellects, too?
An element common to all fighting manga and anime is the appearance of a formidable and daunting opponent. With the introductions finished and the fight already underway, it is natural for the audience to question or speculate how the heroes will triumph over this obstacle. With Needless, every battle is dictated or determined by the fragments and fighters present. So in order for the readers to figure out how to overcome the opponent, they must understand how to overcome their fragment first.
Anytime a manga, anime, or other series does something you don’t anticipate, weren’t prepared for, or goes in a direction you don’t want, it quickly becomes a shocking or sensitive subject. What suddenly becomes more important than the actual developments is how this delicate topic is handled and what satisfaction or salvation can be gained by those in disagreement to what’s happening. The events of Needless Chapter 102 were able to solve most of these issues but not all of them. **Warning: spoilers below**
The continuous and sophisticated details about Cruz for the past 100 chapters have allowed his character to progress efficiently, logically, and for him to become the hero we see before us. This style of character development is among the best for developing a protagonist and Chapter 101 is a prime example for how it should be done.