Posts Tagged Anime Industry
This week: how altering one aspect of Captain Earth will greatly improve the anime, thoughts on why the setting is the best aspect of No Game No Life and how it makes it one of the best anime this season, rationalizing Chaika’s speech pattern in Hitsugi no Chaika and why it isn’t moe marketing and an example of visual details and symbolism in Ping Pong the Animation.
This week: why the self-indulgent nature of anime and manga is mitigated in Inari, Konkon, Koi Iroha, how the art style of KILL la KILL exhibits importance and extravagance, curious about the ending for Chuunibyou Demo Koi ga Shitai! Ren, and why 12 episodes is too short for an anime like Noragami.
Sakura-Con, being one of my most cherished and treasured memories of 2012, earns a spot again as the first day of my 12 Days of Anime, the annual tradition among anime bloggers recounting their 12 fondest memories of the calendar year. Although I attended Sakura-Con in the previous year, the first time I have ever been to an anime convention, my trip this past March proved to be an even greater experience than my first visit. While I attended fewer panels, spent less money and even spent less time at the convention hall altogether, I certainly earned more from my trip this year, largely in part due to all the people in the anime community I meet. Thanks to them and thanks to the wonderful anime convention that was Sakura-Con 2013, this special three-day weekend in Seattle earns the opening spot in my 12 Days of Anime.
About 2 weeks ago: why I’m bored with Uchouten Kazoku, the impact of alternative hairstyles in Monogatari Series Second Season, how Zoe’s character contrasts everyone and everything in Shingeki no Kyojin, and why the clothes are my favorite part of Genei wo Kakeru Taiyou.