Posts Tagged Chihayafuru
This post reviews: Ping Pong the Animation, Ryuugajou Nanana no Maizoukin, Gochuumon wa Usagi Desu ka?, Knights of Sindoria, Escha & Logy no Atelier: Tasogare no Sora no Renkinjutsushi, and Mekaku City Actors.
Here is my final review for the anime that aired in 2013. Focusing only on the most excellent, most remarkable and most memorable of 2013, this review will document and explain my favorite 13 characters of the year and my favorite 13 anime of the year, too. It’s been a rather exciting year of anime, especially with the recent publications of my season reviews for 2013, so let’s see how everything comes together with one last look at the anime of 2013.
Since I never posted a final review for the Spring 2013 anime season, I figured now would be better than later. And while it’s not as late as some other season reviews, this one is a tad late. Nevertheless, it’s always worthwhile to take a moment and look back at how the anime of Spring 2013 performed.
Since I never wrote a season review for Winter 2013 at the end of the season, I’m finishing it up here at the start of Winter 2014. Let’s take a moment to look back and revisit the anime of yesteryear and see what my final thoughts, opinions and grades are for these anime.
Last week: the various contrasts and distinctions between Index and Railgun in To Aru Kagaku no Railgun S, why Shingeki no Kyojin has stagnated and stalled recently, how the minor characters have flourished since the transitions in Suisei no Gargantia, and a rant about the powers of the moon in Hataraku Maou-sama!
This week: rants against the esper level system in To Aru Kagaku no Railgun S, why I hate student governments in anime with Kakumeiki Valvrave, setting up Rion for much more in Chihayafuru 2, and the stereotypical sad backstory for lolis in Dansai Bunri no Crime Edge.
Last week: why minimal amounts of fanservice is strange in Hataraku Maou-sama!, why no character development is the best character development in Suisei no Gargantia, the exceptional development and use of its enormous cast in Kakumeiki Valvrave, and considering the time, expenses and logistics of Frenda’s attacks in To Aru Kagaku no Railgun S.