Posts Tagged Drama
This week: why the self-indulgent nature of anime and manga is mitigated in Inari, Konkon, Koi Iroha, how the art style of KILL la KILL exhibits importance and extravagance, curious about the ending for Chuunibyou Demo Koi ga Shitai! Ren, and why 12 episodes is too short for an anime like Noragami.
This week: Kaiki’s internal conflict and searching for his truth in Monogatari Series Second Season, severely disappointed with Samurai Flamenco, why the family drama is much better than the romance in Nagi no Asukara, and the underappreciated, yet fascinating mecha in Galilei Donna.
This week: being fanservicey but not being a fanservice anime with Stella Jogakuin Koutouka C3-bu, finally satisfying my curiosities in Shingeki no Kyojin, theories on why I can tolerate the melodrama in Genei wo Kakeru Taiyou, and a simple suggestion to make Uchouten Kazoku even better.
The calendar has turned and July is upon us, marking the conclusions of a number of beloved anime last week and signaling the advent of dozens of new shows for the next three months. As with every other season preview here, this one will take a complete and comprehensive look at all the shows airing this Summer with a special focus on all the new franchises and series premiering for the first time. Also included in a quick note about my plans for this season which will include a hiatus to some extent which will likely changed how I write about anime this season. So with that, onto the anime for Summer 2013!
Last week: the re-sensitization to death in Kakumeiki Valvrave, the complexities of saying ‘farewell’ in Suisei no Gargantia, individual versus team karuta matches in Chihayafuru 2 and a thrilling, informative look inside the police department in To Aru Kagaku no Railgun S.
Last week: appreciating the dramatic visuals of Chihayafuru 2, the use of bright, dazzling colors in Suisei no Gargantia, the divergence of Chiho’s life in Hataraku Maou-sama!, and the sudden emotions and expressiveness of Mikasa in Shingeki no Kyojin.
One of the most fundamental and essential concepts present throughout all of Magi is the romance of adventure. The romance of adventure is not an idea that unifies the romance between two characters with the genre of adventure (although one could argue that a powerful bond existed between Aladdin and Alibaba), but one that quantifies the stylization and presentation of adventure that is largely romantic and idealistic. Whether it was questing through treacherous dungeons, relying on the help of mystic, majestic djinns and their phantasmal magic, fending off monsters and assassins alike or hunting for treasures of unimaginable wealth, the image and feeling of adventure in Magi was portrayed as glamorous, glorious, rewarding and extremely passionate. Magi wanted to show these elements of adventures through this distinctive perspective which then helped enthuse and entertain the audience. As you can imagine, this concept had a significant and permanent impression in Magi.