Posts Tagged Evil
A couple weeks ago: wondering which side to root for in KILL la KILL, examining the biggest problem in Toaru Hikuushi e no Koiuta, curious decisions made about Kumin in Chuunibyou Demo Koi ga Shitai! Ren, and enjoying Hoozuki no Reitetsu for its aesthetics.
Oh, right, I do these kinda posts, too. This week: Kaiki bringing out the best in others in Monogatari Series Second Season, watching the OVA that connects episodes 8 and 9 in Yozakura Quartet: Hana no Uta, the setting feeling undervalued in Nagi no Asukara, and the true victims of torture in Samurai Flamenco “B”.
Not even four weeks ago, when episode 7 of Samurai Flamenco aired, it seemed like another ordinary episode with heroes solving petty crimes… or at least attempting to. After a handful of episodes with Hazama as a costumed superhero, followed closely behind by a courageous trio of idols, the Flamenco Girls, the world of Samurai Flamenco found itself bored with its premise. In fact, the characters felt bored too, with the drop in crime, the reduction in activity and even a decline in interest from Gotou and the police. Something needed to shake up this series, right? And then came the big reveal. Yup, it was that one big moment in Samurai Flamenco. We learned that Hazama’s parents were murdered. The case was never solved. It was devastating. It was perturbing. It was going to be the biggest thing in Samurai Flamenco, shifting the direction of the series in a whole new direction. You figured nothing would top that, right? Right?
This week: Kaiki’s internal conflict and searching for his truth in Monogatari Series Second Season, severely disappointed with Samurai Flamenco, why the family drama is much better than the romance in Nagi no Asukara, and the underappreciated, yet fascinating mecha in Galilei Donna.
This week: newfound respect and appreciation for Nadeko in Monogatari Series Second Season, comparisons of KILL la KILL to Tengen Toppa Gurren Lagann and Panty & Stocking, the mismanaged emotional aspects of Coppelion, and questioning how the profession of modeling impacts the themes of heroes and justice in Samurai Flamenco.
This week: Being logical versus being theatrical in Zetsuen no Tempest, questioning the philosophical arguments in Psycho-Pass, why you can never make Kudryavka’s story sad in Little Busters!, and why Shinobu is the best character in Chihayafuru 2.