Posts Tagged Let’s Laugh at Something Together
This week: an analysis of Mako’s character in KILL la KILL, developing the racist schoolgirls into characters in Nagi no Asukara, enjoying the level of detail in the setting of Samurai Flamenco, and pretty much hating the Galileo aspects of Galilei Donna.
Last week: the various contrasts and distinctions between Index and Railgun in To Aru Kagaku no Railgun S, why Shingeki no Kyojin has stagnated and stalled recently, how the minor characters have flourished since the transitions in Suisei no Gargantia, and a rant about the powers of the moon in Hataraku Maou-sama!
Last week: the re-sensitization to death in Kakumeiki Valvrave, the complexities of saying ‘farewell’ in Suisei no Gargantia, individual versus team karuta matches in Chihayafuru 2 and a thrilling, informative look inside the police department in To Aru Kagaku no Railgun S.
Despite being in a medieval-type setting, Dog Days doesn’t feel like a fantasy anime. When you compare the setting of Dog Days to other anime, who also have married the concepts of kemonomimi girls and a medieval setting like Spice and Wolf or Utawarerumono, you begin to draw some similar results. All shows have castles, villages, soldiers, and other stereotypical fantasy elements which provide a solid base for their stories. But there are some evident elements that separates Dog Days from the others.