Posts Tagged Manga
During the twelfth week of the season: my reflections on why Ping Pong the Animation had an excellent ending and why Ryuugajou Nanana no Maizoukin had an appropriate ending but one that left me unsatisfied, an analysis on the finale of Akuma no Riddle with a focus on Tokaku’s and Haru’s relationship (*Spoilers*), and thoughts on the utilization of the setting and the background art in Mushishi Zoku Shou.
This week: why the self-indulgent nature of anime and manga is mitigated in Inari, Konkon, Koi Iroha, how the art style of KILL la KILL exhibits importance and extravagance, curious about the ending for Chuunibyou Demo Koi ga Shitai! Ren, and why 12 episodes is too short for an anime like Noragami.
12 Days of Anime (2013) – Day 1 – The Final Chapter of Needless, the End to my Favorite Manga and the Tale of my Anime/Manga Revolution
On May 19, 2013, the June issue of Ultra Jump debuted as any normal issue of a mangazine would. However, this particular issue was noticeably different with an announcement following the 113rd chapter of Needless stating that next month’s chapter would be the final one. Without any preparation or any proper warning, the sudden and abrupt ending was only a month away. The announcement began to explain the accelerated pace of the last few chapters and the conclusions of many loose ends, but with so much more remaining and the peculiar developments of late, especially some of the absolutely shocking events in 113, you wondered just how the manga could end with an unfortunate amount of unanswered questions. But one month later, Needless 114 debuted and so ended the serialization of my favorite manga.
As with any finale, Needless 114 is and will be met with a variety of emotions and reactions among its fans, especially since the manga is ending quite abruptly after 10 years of serialization. For some, the response might be simple and straightforward, but for many, it will be complicated and conflicting, particularly for those still asking those unanswered questions or wanting just the slightest bit more. For me, being in the latter group, the Needless finale does leave me with mixed emotions. On one hand, the developments in these final chapters answered numerous questions, connected many loose story points together, gave the series a conclusion that truly unified the manga, its concepts and its story, and presented it in a way that’s ready to launch Needless into its continuation, Needless 2. On the other hand, there’s just that lingering sensation of feeling unsatisfied with this culmination, that these final chapters were rushed and that the manga didn’t end the way that it wanted. Or that it deserved.
Earlier this year, the 100th chapter of Needless debuted, a remarkable milestone for any manga, especially for one that is published monthly. Not only did the chapter serve as a landmark for the manga itself, but it corresponded with the crowning achievement of the series protagonist, Cruz Schild, commonly known as Yamada. As Needless has progressed through these past nine years, the story has evolved into one that emphasizes the growth and maturity of its central, most-dynamic character. It has literally become the story of a boy becoming a man (while dressed as a girl), and the events and adventures over the entire manga easily demonstrate the greatest exhibition of character development that I have ever witnessed in my limited history of anime/manga and is a viable candidate for the greatest of all-time.
This week: Magi and Robotics;Notes are here again, how the rural setting of Shin Sekai Yori plays a necessary role in the anime, a disagreement on perspectives in Little Busters!, approaching an abrupt end to a story in Medaka Box Abnormal, and the talents of an effective writer in Psycho-Pass.