Spring 2013 – Week 7 Anime Review

Last week: appreciating the dramatic visuals of Chihayafuru 2, the use of bright, dazzling colors in Suisei no Gargantia, the divergence of Chiho’s life in Hataraku Maou-sama!, and the sudden emotions and expressiveness of Mikasa in Shingeki no Kyojin.

Spring 2013 – Week 6 Anime Review

This week: thoughts on the lack of an education system in Suisei no Gargantia and how it impacts its society, making the best character in Railgun even better, the surprisingly intelligent and effective humor in Shingeki no Kyojin, and my fascination with the audiences in Chihayafuru 2.

Spring 2013 – Week 5 Anime Review

This week: why the beach episode of Suisei no Gargantia is entirely appropriate and meaningful, what we can infer about the settings in Hataraku Maou-sama! and how they will dictate the story from here onward, why I have been impressed with how Devil Survivor 2 handles its extensive cast, and the main reason why we return to Kakumeiki Valvrave every week.

Spring 2013 – Week 4 Anime Review

This week: the theme of forgiveness and tolerance in Hyakka Ryouran Samurai Bride, questioning the utilization of steampunk technologies in Shingeki no Kyojin, those awkward color filters in Dansai Bunri no Crime Edge, and beginning to understand and appreciate Emi’s character in Hataraku Maou-sama!

Spring 2013 – Week 2 Anime Review

This week: why I’m not buying the ‘death’ scene in Kakumeiki Valvrave and what leads me to believe so, some recommendations for Yamane on how to properly use a syringe in Dansai Bunri no Crime Edge, questioning the geographies, organizations and structures of cities in Shingeki no Kyojin, Suisei no Gargantia, and To Aru Kagaku no Railgun S, and some additional thoughts on the setting in anime.

Magi – 25 (Finale)

One of the most fundamental and essential concepts present throughout all of Magi is the romance of adventure.  The romance of adventure is not an idea that unifies the romance between two characters with the genre of adventure (although one could argue that a powerful bond existed between Aladdin and Alibaba), but one that quantifies the stylization and presentation of adventure that is largely romantic and idealistic.  Whether it was questing through treacherous dungeons, relying on the help of mystic, majestic djinns and their phantasmal magic, fending off monsters and assassins alike or hunting for treasures of unimaginable wealth, the image and feeling of adventure in Magi was portrayed as glamorous, glorious, rewarding and extremely passionate.  Magi wanted to show these elements of adventures through this distinctive perspective which then helped enthuse and entertain the audience.  As you can imagine, this concept had a significant and permanent impression in Magi.

Robotics;Notes – 22 (Finale)

Robotics;Notes is an anime that progressed through a series of ups and downs.  During its ups, the anime was amusing and entertaining with an ominous mystery and a robotics theme that was both strong and appropriate.  During its downs, the series was a curious and confusing mess with a story that felt disjointed and incoherent that bounced between two very different sides in a ‘Robotics’ half and a ‘Notes’ half.  And though the series cycled between these high points and low points, the second half of the anime saw a general trend downward with its obvious peaks in the first half and its lowest valleys in the latter half.  Just what happened to Robotics;Notes to take it from a promising and entertaining anime to one with an unclear, directionless plot with highly questionable storytelling.