Posts Tagged Shakespearean Tragedy
This week: difficulty with the ambiguities, interpretations and inconsistencies with the games in No Game No Life, the mounting evidence on why I think Yuuki has more problems than Kaori in Isshuukan Friends, envisioning what modern science and medicine would uncover about the mushi in Mushishi Zoku Shou, and looking at the differences between the late-90s and now with Ping Pong the Animation.
This week: Being logical versus being theatrical in Zetsuen no Tempest, questioning the philosophical arguments in Psycho-Pass, why you can never make Kudryavka’s story sad in Little Busters!, and why Shinobu is the best character in Chihayafuru 2.
This week: questions about who the real big bad in Psycho-Pass could be, some thoughts on why I continue to watch Little Busters!, social cliques in character pairings in Senran Kagura, and some earth-shattering omissions in Maoyuu Maou Yuusha.
We’re all going to have a lot of memories from Madoka. Some will be sorrow. Some will be pleasure. Others, too, will be fright and confusion and heartbreak. If you recollect, the series took our emotions on an unexpected journey, able to manipulate our feelings into whatever this anime wanted. But which of those emotions on this journey will you remember? What memories will you have from Puella Magi Madoka Magica?
Throughout the course of the series, there have been obvious and subtle Faustian themes in Puella Magi Madoka Magica (or as some say, Mahou Shoujo Madoka Magica). There’s the personification of white, fluffy evil, Kyubey (or as some say, QB or Kyuubee), the whole soul/wish exchange (the SEC should really look into regulating this), and so on.
And while I agree with these strong Faustian themes, I can’t help but look to other themes as well. What I see is Madoka becoming a Shakespearean tragedy. And another theme I see creeping into the series is the seven deadly sins, too.