Posts Tagged Weekly Anime
A long, long time ago, back when you actually probably cared about these episodes: why Yeti is the best character in Namiuchigiwa no Muromi-san (and why the series should be about her instead), changing the perspectives of how we view the characters in Shingeki no Kyojin, how the evolution of Hataraku Maou-sama! holds up thus far, and why the sheer awkwardness of Dansai Bunri no Crime Edge is actually a good thing.
Last week: the re-sensitization to death in Kakumeiki Valvrave, the complexities of saying ‘farewell’ in Suisei no Gargantia, individual versus team karuta matches in Chihayafuru 2 and a thrilling, informative look inside the police department in To Aru Kagaku no Railgun S.
Last week: appreciating the dramatic visuals of Chihayafuru 2, the use of bright, dazzling colors in Suisei no Gargantia, the divergence of Chiho’s life in Hataraku Maou-sama!, and the sudden emotions and expressiveness of Mikasa in Shingeki no Kyojin.
This week: thoughts on the lack of an education system in Suisei no Gargantia and how it impacts its society, making the best character in Railgun even better, the surprisingly intelligent and effective humor in Shingeki no Kyojin, and my fascination with the audiences in Chihayafuru 2.
This week: why the beach episode of Suisei no Gargantia is entirely appropriate and meaningful, what we can infer about the settings in Hataraku Maou-sama! and how they will dictate the story from here onward, why I have been impressed with how Devil Survivor 2 handles its extensive cast, and the main reason why we return to Kakumeiki Valvrave every week.
This week: the theme of forgiveness and tolerance in Hyakka Ryouran Samurai Bride, questioning the utilization of steampunk technologies in Shingeki no Kyojin, those awkward color filters in Dansai Bunri no Crime Edge, and beginning to understand and appreciate Emi’s character in Hataraku Maou-sama!
This week: thinking ahead on how the weather could be used as a means of conflict in Suisei no Gargantia, weighing in on two fascinating story mechanics in Kakumeiki Valvrave, the fantastic use of voices in Chihayafuru 2, and examining the personalities of Emi in Hataraku Maou-sama! and Misaka in To Aru Kagaku no Railgun S.