Posts Tagged Boku Dake ga Inai Machi
Back during Week 9: the symbolism of clothing in Shouwa Genroku Rakugo Shinjuu, questioning whether anyone else is ‘special’ in Boku Dake ga Inai Machi, praising the tsukkomis in Dagashi Kashi, and posting pictures of Clarion from Koukaku no Pandora because why not?
This week: why I detest the style of narration and extended “flashback” in Shouwa Genroku Rakugo Shinjuu, captivation with the advancement in fighting in Hai to Gensou no Grimgar, powerful, simple, and weird shots in Dimension W, and why I consider Koukaku no Pandora to be a slice-of-life anime.
For Week 4: adoring the transformation and westernization of the setting in Shouwa Genroku Rakugo Shinjuu, the authenticity, weight, and significance of battles in Hai to Gensou no Grimgar, why the letterbox formatting is my favorite directing decision of Boku Dake ga Inai Machi, and disruption in the sense of community in Durarara!!x2 Ketsu.
For Week 3: gushing about the setting of Shouwa Genroku Rakugo Shinjuu, questioning Satoru’s treatment of Hiromi in Boku Dake ga Inai Machi, a personality shift with a positive cause in Dimension W, and highlighting the brilliant animation in Kono Subarashii Sekai ni Shukufuku wo!
It was the best of times, it was the worst of times. It was the season of Light, it was the season of Darkness. It was the Spring Autumn of hope, it was the Winter of despair. Or rather, it was the Autumn 2015 anime season, it was the Winter 2016 anime season. Never have I seen such a stark, significant contrast in the types and content of anime between consecutive seasons, but we’re following up arguably the best anime season in recent memory with quite possibly the worst. If you haven’t checked, now might be a good time to see why I am so crestfallen with the anime airing this winter.