Posts Tagged Colors

Winter 2015 – Week 5 Anime Review

gundam_reconguista_in_g-19-manny-short_hair-spacesuit-helmet-crying-sad-zero_gravity_tearsFor Week 5: analyzing the role of the ‘colorless’ background characters in Durarara!!x2 Shou, a tribute to the border security girls running the checkpoints in The Rolling Girls, issues with how the fights end in JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and wondering about a future business opportunity for Shinku and the others in Dog Days’’.

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Winter 2015 – Week 2 Anime Review

the_rolling_girls-02-yukina-nozomi-chiaya-ai-photo-pose-friendshipThis week: analyzing the delicate balance between entertainment and realism in Shirobako, questioning the subjectivity of evidence and judgments in Death Parade, justifying what makes the setting so successful and vibrant in Durarara!!x2 Shou, and gushing about the unique personality in The Rolling Girls.

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Winter 2015 – First Impressions (Part 2)

yoru_no_yatterman-01-leopard-reaching_out-crying-emotion-feathers-losing_someone_specialThis post reviews: Death Parade, The iDOLM@STER: Cinderella Girls, Assassination Classroom, The Rolling Girls, Soukyuu no Fafner – Dead Aggressor: Exodus, and Yoru no Yatterman.

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Top 14 Anime and Top 14 Characters of 2014

hanayamata-05-naru-tami-hana-yaya-yosakoi_club-celebration-victory-excited-cheerThe first day of 2015 means it’s the first day we can turn, look back, and reflect upon 2014 as a whole. Today, I aim to present the results of my own introspection and analysis on all the anime I watched in 2014. I will present my final thoughts on the most remarkable, memorable and outstanding anime that aired in 2014 by revealing lists for both my favorite characters of the year and the top anime of 2014. So, how exactly will I remember 2014, and which of the anime that aired is simply the best to me?

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12 Days of Anime (2014) – Day 1 – Imai Kami Visual Collection and BLACK SPOT Doujinshi

imai_kami_visual_collection-black_spot_doujinshi-art_bookArt books are arguably my favorite item of anime merchandise (of which, I own 18). And Imai Kami is undoubtedly my favorite manga artist. So when the Imai Kami Visual Collection, Nirai Kanai, was announced to be sold in June 2014, I was positively ecstatic. For the first time, there would be a printed compilation of his various works from both Needless and Shirasunamura, as well as other works in magazines and online sources. However, there was a major bonus to this art book that made it even more unique and exceptional among its peers. Since its completion as a doujinshi in 1999, Imai Kami’s first printed work, the 330 page BLACK SPOT, was being reprinted and bundled with the art book. After 15 years, the work that originated Imai Kami’s career and was the foundation and basis for my favorite manga, Needless, was finally available to the public. Without a doubt, the Imai Kami Visual Collection is the best thing to happen to me in 2014.

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12 Days of Anime (2014) – Day 2 – Favorite Anime Episode of the Year

yama_no_susume_s2-13-hinata-aoi-art_style-oil_pastels-lost-crying-friendship-together-comfortingEvery year, I make an attempt to determine what single episode of every anime that I watched that was my absolute favorite. For some years, the decision is easy, such as 2011 (Puella Magi Madoka Magica episode 10) and 2012 (Sengoku Collection episode 18). For other years, it’s a real challenge. It’s demanding when you’re trying to decide between a number of exceptional episodes with no clear choice. For me, 2014 is the latter with three candidates vying for the honor of my favorite episode of the year. And since I remain undecided on this evaluation, still mulling my opinions for each, I’ll present the three episodes here to illustrate what I am going through.

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12 Days of Anime (2014) – Day 10 – Cinematography in Ping Pong the Animation

ping_pong_the_animation-05-tsukimoto-smile-robotic-stoic-glasses-intimidatingCinematography is perhaps the ultimate challenge for a TV anime to overcome. Inherent of television anime are limited budgets and tight schedules, meaning that the resources and time provided are not enough to allow for the same level of quality that we see in movies or elsewhere. And while quality often refers to detail in the art and animation, such as more complex or frequent sakuga sequences, it also means an improved cinematography where shots have more variation and camera motion is more prominent. Since the production schedule and resources are difficult for a TV anime, they must rely on a number of industry techniques to make a finished produced on time, with perhaps the most recurrent being the use of shooting dialogue scenes using still characters with only their mouths moving. And in terms of cinematography, the shots are often flat and still, making it easier for the animators to anime with a consistent level of acceptable quality. However, this is difficult to do when the anime’s story or purpose resolves around the characters acting or performing or moving in complex ways. This leads us to Ping Pong the Animation, one of the most acclaimed and illustrious anime of the year, and its brilliant and artistic use of cinematography to convey action throughout the series. While the series was overflowing with symbolism, the topic of this post is primarily on its cinematic techniques that were some of the most innovative, resourceful, and memorable in recent memory.

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