Posts Tagged Colors
Last week: two things I wish they did more of in Gakkou Gurashi, celebrating the rural setting of Non Non Biyori Repeat, deliberating the lack of anime voice acting roles in Sore ga Seiyuu!, and the lack of Maya Matsumoto in the finale of Working!!!.
For Week 5: analyzing the role of the ‘colorless’ background characters in Durarara!!x2 Shou, a tribute to the border security girls running the checkpoints in The Rolling Girls, issues with how the fights end in JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and wondering about a future business opportunity for Shinku and the others in Dog Days’’.
This week: analyzing the delicate balance between entertainment and realism in Shirobako, questioning the subjectivity of evidence and judgments in Death Parade, justifying what makes the setting so successful and vibrant in Durarara!!x2 Shou, and gushing about the unique personality in The Rolling Girls.
The first day of 2015 means it’s the first day we can turn, look back, and reflect upon 2014 as a whole. Today, I aim to present the results of my own introspection and analysis on all the anime I watched in 2014. I will present my final thoughts on the most remarkable, memorable and outstanding anime that aired in 2014 by revealing lists for both my favorite characters of the year and the top anime of 2014. So, how exactly will I remember 2014, and which of the anime that aired is simply the best to me?
Art books are arguably my favorite item of anime merchandise (of which, I own 18). And Imai Kami is undoubtedly my favorite manga artist. So when the Imai Kami Visual Collection, Nirai Kanai, was announced to be sold in June 2014, I was positively ecstatic. For the first time, there would be a printed compilation of his various works from both Needless and Shirasunamura, as well as other works in magazines and online sources. However, there was a major bonus to this art book that made it even more unique and exceptional among its peers. Since its completion as a doujinshi in 1999, Imai Kami’s first printed work, the 330 page BLACK SPOT, was being reprinted and bundled with the art book. After 15 years, the work that originated Imai Kami’s career and was the foundation and basis for my favorite manga, Needless, was finally available to the public. Without a doubt, the Imai Kami Visual Collection is the best thing to happen to me in 2014.
Every year, I make an attempt to determine what single episode of every anime that I watched that was my absolute favorite. For some years, the decision is easy, such as 2011 (Puella Magi Madoka Magica episode 10) and 2012 (Sengoku Collection episode 18). For other years, it’s a real challenge. It’s demanding when you’re trying to decide between a number of exceptional episodes with no clear choice. For me, 2014 is the latter with three candidates vying for the honor of my favorite episode of the year. And since I remain undecided on this evaluation, still mulling my opinions for each, I’ll present the three episodes here to illustrate what I am going through.