Posts Tagged Conflict
Last week: analyzing the literary conflict in Yuri Kuma Arashi, appreciating the non-linear yet logical storytelling in Durarara!!x2 Shou, acknowledging the effectiveness of the “business card” introductions in Shirobako, and thoughts on the contrasting fashion and sexual themes in Junketsu no Maria.
Timeskips are among my favorite narrative devices in anime. In fact, if I were ever to write an anime myself, I’d definitely have a timeskip in there somewhere. Hell, maybe even two. Timeskips are a brilliant means to advance a continuous story between two periods of time, allowing the plot or characters or setting to transform radically without showing the unrelated events in-between. And that’s exactly what happened in Nagi no Asukara. At the midpoint in the anime, following a climax at the end of the Autumn 2013 season, Nagi no Asukara experienced a timeskip where everything changed. The characters, setting, and plot were all different between the first-half and second-half of Nagi no Asukara. However, there is one significant detail about this unique timeskip that makes it one of my most favorite timeskips ever.
This week: why conflict is the best thing to happen in Isshuukan Friends, not being distracted to the real story in in Ryuugajou Nanana no Maizoukin, appreciating character developing for a strong, independent female lead in Soredemo Sekai wa Utsukushii, and some differences between marathoning Mushishi and watching Mushishi Zoku Shou weekly.
This week: the contrast between Aki’s family and Hachiken’s family in Silver Spoon, demonstrating Hiyori’s character growth through subtraction in Noragami, the humanistic personalities of djinn in Magi: The Kingdom of Magic, and the good half and bad half of the story in Inari, Konkon, Koi Iroha.
This week: how Stella Jogakuin Koutou-ka C3-bu is really an anime analogy of drugs, thoughts on the origins of the walls in Shingeki no Kyojin, the weakness of friendships in Genei wo Kakeru Taiyou and the adorable tanukis of Uchouten Kazoku.
This week: loving the scrutiny and struggle in Yura’s character in Stella Jogakuin Koutouka C3-bu, recognizing Sayomi’s contributions in Tamayura ~more aggressive~, thoughts on the father’s four attributes being divided among his sons in Uchouten Kazoku, and criticizing Genei wo Kakeru Taiyou for having a death, just for the sake of having a death.