Posts Tagged Differences
Every year, I recall my favorite anime openings and endings in my Final Review, selecting my very favorites from each of the four Season Reviews that settle at the end of each season. But, seeing as I haven’t published a Season Review since 2013 and given that there is no other time to document my favorite OPs/EDs of the year, I have reserved Day 3 of my 12 Days of Anime for 2015 for this lacking quality of mine. Of course, I won’t reveal my favorite OP and ED of the year just yet (that will be reserved for the Final Review of 2015), but here are some of my favorites that I would love to share with you. Now, please enjoy 8 of my Top 10 Openings and Endings for 2015.
Although I wasn’t able to spend much time at this year’s Sakura-Con, I am grateful that I was able to attend the Pacific Northwest’s largest anime convention for my fourth consecutive year. One of my lasting memories from this convention, as well as for 2015 as a whole, was watching the first three episodes of the second half of Fate/stay night: Unlimited Blade Works (TV) before it even premiered in Japan. How awesome is that, getting to watch three episodes of one of the best anime of the year before anyone else? But… that’s not exactly the point of this post. Instead, one scene in particular from the fifteenth episode of FSN: UBW really stunned me… and it stunned me again when I realized it was omitted from TV broadcasts in Japan three weeks later. In fact, the event that’s reserved for the beginning of my 12 Days of Anime for 2015 is a rather strange tale of censorship, and of how the most emotional scene, to me, in all of Fate/stay night: Unlimited Blade Works went unseen to a majority of its anime fans.
Last week: two things I wish they did more of in Gakkou Gurashi, celebrating the rural setting of Non Non Biyori Repeat, deliberating the lack of anime voice acting roles in Sore ga Seiyuu!, and the lack of Maya Matsumoto in the finale of Working!!!.
This week: why Adlet, the strongest man on Earth, is the weakest brave in Rokka no Yuusha, questioning the origin of Yuki’s psychosis in Gakkou Gurashi, defending Haruka’s egregious probability errors in Joukamachi no Dandelion, and complaints about Ayumi’s lack of character development in Charlotte.
Back during Week 5: the indecisiveness of Plastic Memories and why it doesn’t know what it wants to be as an anime, how changing the powers in Yamada-kun to 7-nin no Majo changes the series dynamic, background characters beginning to differentiate themselves in Hibike! Euphonium, and cute girls being immune to still-image “animation” in Ninja Slayer from Animation.
This week: one of the primary reasons why Shirobako is one of my favorite anime of all-time, questioning other factors outside the arbiter’s control in assessing souls in Death Parade, contrasting the younger and older pilots in Soukyuu no Fafner – Dead Aggressor: Exodus, and my issues with the overpowering symbolism in Yuri Kuma Arashi.