Posts Tagged Dog Days
Every year, I recall my favorite anime openings and endings in my Final Review, selecting my very favorites from each of the four Season Reviews that settle at the end of each season. But, seeing as I haven’t published a Season Review since 2013 and given that there is no other time to document my favorite OPs/EDs of the year, I have reserved Day 3 of my 12 Days of Anime for 2015 for this lacking quality of mine. Of course, I won’t reveal my favorite OP and ED of the year just yet (that will be reserved for the Final Review of 2015), but here are some of my favorites that I would love to share with you. Now, please enjoy 8 of my Top 10 Openings and Endings for 2015.
It’s been 1 year, 3 months since Gochuumon wa Usagi Desu ka?. It’s been 1 year, 6 months since Miss Monochrome, Non Non Biyori, and Noragami. It’s been 1 year, 9 months since Gatchaman Crowds and Monogatari Series Second Season. It’s been 2 years since Kamisama Kiss. It’s been 2 years, 3 months since Dog Days’ (S2). It’s been 2 years, 9 months since K and Sidoni no Kishi. It’s been 3 years since Yuru Yuri ♪♪ (S2). It’s been 3 years, 6 months since Working’!! (S2). It’s been 4 years, 6 months since Durarara!!. It’s been 5 years, 2 months since The Disappearance of Haruhi Suzumiya. It’s been 9 years since Utawarerumono, and it’s been 10 years since Soukyuu no Fafner: Dead Aggressor. I think it’s safe to say, with all of these anime franchises returning with TV broadcasts, that 2015 will be remembered as Year of the Sequels.
This week: one of the primary reasons why Shirobako is one of my favorite anime of all-time, questioning other factors outside the arbiter’s control in assessing souls in Death Parade, contrasting the younger and older pilots in Soukyuu no Fafner – Dead Aggressor: Exodus, and my issues with the overpowering symbolism in Yuri Kuma Arashi.
For Week 5: analyzing the role of the ‘colorless’ background characters in Durarara!!x2 Shou, a tribute to the border security girls running the checkpoints in The Rolling Girls, issues with how the fights end in JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and wondering about a future business opportunity for Shinku and the others in Dog Days’’.
A while back, whenever Week 4 was: appreciating the change from producing episodes to producing an anime series in Shirobako, teenager mecha pilots who actually act and behave like teenagers in Soukyuu no Fafner – Dead Aggressor: Exodus, questioning Lulu’s character development in Yuri Kuma Arashi, and finally realizing why Fubuki is the main character of Kantai Collection.
Last week: analyzing the literary conflict in Yuri Kuma Arashi, appreciating the non-linear yet logical storytelling in Durarara!!x2 Shou, acknowledging the effectiveness of the “business card” introductions in Shirobako, and thoughts on the contrasting fashion and sexual themes in Junketsu no Maria.
This week: analyzing the delicate balance between entertainment and realism in Shirobako, questioning the subjectivity of evidence and judgments in Death Parade, justifying what makes the setting so successful and vibrant in Durarara!!x2 Shou, and gushing about the unique personality in The Rolling Girls.