Posts Tagged Finale
As with any finale, Needless 114 is and will be met with a variety of emotions and reactions among its fans, especially since the manga is ending quite abruptly after 10 years of serialization. For some, the response might be simple and straightforward, but for many, it will be complicated and conflicting, particularly for those still asking those unanswered questions or wanting just the slightest bit more. For me, being in the latter group, the Needless finale does leave me with mixed emotions. On one hand, the developments in these final chapters answered numerous questions, connected many loose story points together, gave the series a conclusion that truly unified the manga, its concepts and its story, and presented it in a way that’s ready to launch Needless into its continuation, Needless 2. On the other hand, there’s just that lingering sensation of feeling unsatisfied with this culmination, that these final chapters were rushed and that the manga didn’t end the way that it wanted. Or that it deserved.
One of the most fundamental and essential concepts present throughout all of Magi is the romance of adventure. The romance of adventure is not an idea that unifies the romance between two characters with the genre of adventure (although one could argue that a powerful bond existed between Aladdin and Alibaba), but one that quantifies the stylization and presentation of adventure that is largely romantic and idealistic. Whether it was questing through treacherous dungeons, relying on the help of mystic, majestic djinns and their phantasmal magic, fending off monsters and assassins alike or hunting for treasures of unimaginable wealth, the image and feeling of adventure in Magi was portrayed as glamorous, glorious, rewarding and extremely passionate. Magi wanted to show these elements of adventures through this distinctive perspective which then helped enthuse and entertain the audience. As you can imagine, this concept had a significant and permanent impression in Magi.
Robotics;Notes is an anime that progressed through a series of ups and downs. During its ups, the anime was amusing and entertaining with an ominous mystery and a robotics theme that was both strong and appropriate. During its downs, the series was a curious and confusing mess with a story that felt disjointed and incoherent that bounced between two very different sides in a ‘Robotics’ half and a ‘Notes’ half. And though the series cycled between these high points and low points, the second half of the anime saw a general trend downward with its obvious peaks in the first half and its lowest valleys in the latter half. Just what happened to Robotics;Notes to take it from a promising and entertaining anime to one with an unclear, directionless plot with highly questionable storytelling.
The second season of Dog Days has concluded peacefully without any interruption or harm by any form of plot whatsoever. The season was left to be carefree, directionless, and virtually an entire season of filler and character set-up that was never delivered nor resolved. However, with several hints dropped during the finale, as well as embedded gracefully throughout the season, it appears that yet another sequel of Dog Days is within the minds of the creators and producers. Should that be the case, then one can’t help but wonder what possibly could happen in a sequel to follow this season. It feels like the series has already run out of ideas considering the lack of focus, structure, and planning that occurred in this season. What can Dog Days do to make its next season worthwhile?
What made the original season of Moyashimon a celebrated and beloved anime were its awkward and lively characters and the zany comedy that accompanied the lives of freshmen at a wacky agricultural university outside of Tokyo. The second season, Moyashimon Returns, was doomed to mediocrity from straying from this effective recipe, instead opting to delve heavily into drama and introduce new characters who never assimilated to the golden standard of this anime. However, this occurrence of a sequel failing in comparison to the original is not something exclusive to Moyashimon. In fact, I’d be inclined to say that’s the norm for sequels in anime, a disheartening trend based on a number of critical factors.
In an era where ambiguous and open-ended finales are the norm, an unspoken prayer for the chance of a fiscally-successful sequel in the unforeseen future, an anime receiving proper and satisfying closure has become an rare indulgence. Conclusions such as these leave the audience with a sense of gratification and completeness, as we like to believe we just watched the tale of a beautiful story rather than 12 half-hour segments of some manga/light novel advertisement that cuts off at whatever rushed or broken point seemed to be the best in the pre-planning stages. No, what Sakamichi no Apollon was able to do with its story, its characters, and its themes is truly refreshing and rewarding. It’s a shame not every anime can end the way Apollon did.