Posts Tagged Flashback
I am terrible at staying up to date with these posts, but whatever. Back during Week 5: concerns with the directing and storytelling in Tokyo Ghoul, considering the depth and complexity of Hanayamata despite its appearance, curiosity about the different perspectives in Yama no Susume Second Season, and wondering all the other things you could do with a Stand in JoJo’s Bizarre Adventure: Stardust Crusaders.
Back whenever these episodes of anime aired: how detailing the background characters in Isshuukan Friends represents Kaori’s growth as a character, wondering if Adashino-sensei is Ginko’s only friend in Mushishi Zoku Shou, being frustrated with the expositions in No Game No Life, and why I’m going to miss Ryuugajou Nanana no Maizoukin when it’s over.
This week: how the subject of ‘change’ has resulted in no change or progress with Nagi no Asukara, why the disappointing fights mean a disappointing anime overall with Nobunagun, the pleasant but subtle details of food in Wizard Barristers – Benmashi Cecil, and why zombie Dandy is smarter than regular Dandy in Space Dandy.
This week: focusing on the main character for its story being the right move for Nobunagun, genuine relationships as a strength for Toaru Hikuushi e no Koiuta, determining Satone’s role in Chuunibyou Demo Koi ga Shitai! Ren, and quietly building hype for Natsuna’s character in Wizard Barristers – Benmashi Cecil.
As with any finale, Needless 114 is and will be met with a variety of emotions and reactions among its fans, especially since the manga is ending quite abruptly after 10 years of serialization. For some, the response might be simple and straightforward, but for many, it will be complicated and conflicting, particularly for those still asking those unanswered questions or wanting just the slightest bit more. For me, being in the latter group, the Needless finale does leave me with mixed emotions. On one hand, the developments in these final chapters answered numerous questions, connected many loose story points together, gave the series a conclusion that truly unified the manga, its concepts and its story, and presented it in a way that’s ready to launch Needless into its continuation, Needless 2. On the other hand, there’s just that lingering sensation of feeling unsatisfied with this culmination, that these final chapters were rushed and that the manga didn’t end the way that it wanted. Or that it deserved.
Though side characters are routinely neglected or minimally developed as characters, they are often essential to the growth and progression of those around them. In the case of this episode, the minor characters, merchants Leila and Sahsa, were able to assist Morgiana in her expedition to return home to the Dark Continent. During their time together as a trading trio, we were able to see Morgiana unveil her true character largely due to the sincerity and benevolence expressed through Leila and Sahsa. Without them, it’s debatable that these preceding details and positive growth would have been omitted from Morgiana’s character, especially if she were making this journey alone.
Needless is innovative and creative, especially in its storytelling. Throughout the manga, there have been countless examples of where character development or story progression have been told or shown in a way that directly generates interest, creates suspense and surprise or is just unanticipated fun and amusement (for example: Kuchinashi). And of all the methods utilized, the most innovative might be how Needless has unveiled its past. Rather than relying solely on flashbacks or lengthy exposition, Needless has decided to show us its past through a variety of diverse means and styles. And rather than reveal everything about the past together, it’s been fragmented into various segments, allowing the manga to answer the immediate concerns while raising other questions to create further intrigue and mystery. And with another new style presented in this chapter, it’s time we recognize a few of the brilliant storytelling techniques employed in Needless.