Posts Tagged Geography
Back during Week 9: explaining why Tokyo ESP is the most disappointing anime of the season despite not being the worst, layering the education and presenting knowledge in Yama no Susume Second Season, why Sanae is more than just the #1 girl in Koutarou’s harem in Rokujouma no Shinryakusha!?, and wondering why more people don’t use photon swords in Sword Art Online II.
A couple weeks ago: understanding that Mushishi Zoku Shou is about how problems find Ginko, not Ginko finding problems, Kaori having the most amount of friends in Isshuukan Friends, Captain Earth finally trending in the right direction, and looking at wizards using the most modern weaponry in Hitsugi no Chaika.
This week: difficulty with the ambiguities, interpretations and inconsistencies with the games in No Game No Life, the mounting evidence on why I think Yuuki has more problems than Kaori in Isshuukan Friends, envisioning what modern science and medicine would uncover about the mushi in Mushishi Zoku Shou, and looking at the differences between the late-90s and now with Ping Pong the Animation.
This week: how altering one aspect of Captain Earth will greatly improve the anime, thoughts on why the setting is the best aspect of No Game No Life and how it makes it one of the best anime this season, rationalizing Chaika’s speech pattern in Hitsugi no Chaika and why it isn’t moe marketing and an example of visual details and symbolism in Ping Pong the Animation.
Back during the Winter 2014 anime season: what about the setting of Toaru Hikuushi e no Koiuta makes it one of my favorite anime of the season, thoughts on how people grew to tolerate or accept the excessive fanservice in KILL la KILL, how changing color schemes impacted the atmosphere in Noragami, and the ideal way to end Silver Spoon S2.
Oh, right, I do these kinda posts, too. This week: Kaiki bringing out the best in others in Monogatari Series Second Season, watching the OVA that connects episodes 8 and 9 in Yozakura Quartet: Hana no Uta, the setting feeling undervalued in Nagi no Asukara, and the true victims of torture in Samurai Flamenco “B”.