Posts Tagged Inari Konkon Koi Iroha
The first day of 2015 means it’s the first day we can turn, look back, and reflect upon 2014 as a whole. Today, I aim to present the results of my own introspection and analysis on all the anime I watched in 2014. I will present my final thoughts on the most remarkable, memorable and outstanding anime that aired in 2014 by revealing lists for both my favorite characters of the year and the top anime of 2014. So, how exactly will I remember 2014, and which of the anime that aired is simply the best to me?
This week: the contrast between Aki’s family and Hachiken’s family in Silver Spoon, demonstrating Hiyori’s character growth through subtraction in Noragami, the humanistic personalities of djinn in Magi: The Kingdom of Magic, and the good half and bad half of the story in Inari, Konkon, Koi Iroha.
This week: questioning the purpose of Yukine’s self-study in Noragami, rationalizing the roles of the anime-original characters and the stagnated romance in Chuunibyou Demo Koi ga Shitai! Ren, why I wish Silver Spoon had virtually no comedy, and the unnoticed, ‘other’ languages in Space Dandy.
This week: how the cinematography aided in the visually magnificent episode plant planet of Space Dandy, thoughts on the resolution of Gotou’s girlfriend in Samurai Flamenco, remembering the first half of Magi, and trying to make sense of what Manaka lost in Nagi no Asukara.
This week: thoughts on whether to dislike or sympathize with Yukine in Noragami, why the confession scene in Inari, Konkon, Koi Iroha was exceptional, why Silver Spoon S2 works better as a sports anime, and recommending The Princess and the Pilot (Toaru Hikuushi e no Tsuioku) for those watching Pilot’s Love Song (Toaru Hikuushi e no Koiuta)
This week: finally warming up to Space Dandy, questioning the selection of weaponry and warfare technology in Toaru Hikuushi e no Koiuta, thoughts on the lack of problems facing one character in Inari, Konkon, Koi Iroha, and issues of QUALITY in Wizard Barristers – Benmashi Cecil.
This week: why the self-indulgent nature of anime and manga is mitigated in Inari, Konkon, Koi Iroha, how the art style of KILL la KILL exhibits importance and extravagance, curious about the ending for Chuunibyou Demo Koi ga Shitai! Ren, and why 12 episodes is too short for an anime like Noragami.