Posts Tagged Japan
For Week 5: analyzing the role of the ‘colorless’ background characters in Durarara!!x2 Shou, a tribute to the border security girls running the checkpoints in The Rolling Girls, issues with how the fights end in JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and wondering about a future business opportunity for Shinku and the others in Dog Days’’.
Last week: analyzing the literary conflict in Yuri Kuma Arashi, appreciating the non-linear yet logical storytelling in Durarara!!x2 Shou, acknowledging the effectiveness of the “business card” introductions in Shirobako, and thoughts on the contrasting fashion and sexual themes in Junketsu no Maria.
Every time I attend Sakura-Con, I experience something new. During my first visit, the friends, panels and convention itself stood out to me the most. For my second trip, the social interactions were the most memorable of my experiences, though I knew what to expect and was able to manage my time better. This year, however, I did not actively plan out any new activities or experiences, and mainly rested on the idea to just see my friends again, buy some more art books, and take it easy. However, the most memorable experience for me during Sakura-Con 2014 was something I never anticipated…
Last week: why the third episode of Space Dandy Season 2 might be my favorite of the year, an analysis on the diversity of rural settings and how the specifics of this are impacting Barakamon, some egregious contradictions with the mecha in Aldnoah.Zero, and some serious questions about the structure and purpose of Night Raid in Akame ga Kill!
During the twelfth week of the season: my reflections on why Ping Pong the Animation had an excellent ending and why Ryuugajou Nanana no Maizoukin had an appropriate ending but one that left me unsatisfied, an analysis on the finale of Akuma no Riddle with a focus on Tokaku’s and Haru’s relationship (*Spoilers*), and thoughts on the utilization of the setting and the background art in Mushishi Zoku Shou.
This week: questioning the purpose of Yukine’s self-study in Noragami, rationalizing the roles of the anime-original characters and the stagnated romance in Chuunibyou Demo Koi ga Shitai! Ren, why I wish Silver Spoon had virtually no comedy, and the unnoticed, ‘other’ languages in Space Dandy.