Posts Tagged Literary Device
Last week: analyzing the literary conflict in Yuri Kuma Arashi, appreciating the non-linear yet logical storytelling in Durarara!!x2 Shou, acknowledging the effectiveness of the “business card” introductions in Shirobako, and thoughts on the contrasting fashion and sexual themes in Junketsu no Maria.
This week: an analysis on the subtitle of Aldnoah.Zero and the meaning of fiat justitia ruat caelum, thoughts on the rigid, formulaic pattern of storytelling in Barakamon, the lack of character independence and the emphasis of friendship in Glasslip, and looking at the difference (if there is a difference) between Lisa and moe anime girls in Zankyou no Terror.
This week: thinking ahead on how the weather could be used as a means of conflict in Suisei no Gargantia, weighing in on two fascinating story mechanics in Kakumeiki Valvrave, the fantastic use of voices in Chihayafuru 2, and examining the personalities of Emi in Hataraku Maou-sama! and Misaka in To Aru Kagaku no Railgun S.
One of the most fundamental and essential concepts present throughout all of Magi is the romance of adventure. The romance of adventure is not an idea that unifies the romance between two characters with the genre of adventure (although one could argue that a powerful bond existed between Aladdin and Alibaba), but one that quantifies the stylization and presentation of adventure that is largely romantic and idealistic. Whether it was questing through treacherous dungeons, relying on the help of mystic, majestic djinns and their phantasmal magic, fending off monsters and assassins alike or hunting for treasures of unimaginable wealth, the image and feeling of adventure in Magi was portrayed as glamorous, glorious, rewarding and extremely passionate. Magi wanted to show these elements of adventures through this distinctive perspective which then helped enthuse and entertain the audience. As you can imagine, this concept had a significant and permanent impression in Magi.
This week: Magi and Robotics;Notes are here again, how the rural setting of Shin Sekai Yori plays a necessary role in the anime, a disagreement on perspectives in Little Busters!, approaching an abrupt end to a story in Medaka Box Abnormal, and the talents of an effective writer in Psycho-Pass.
Last week: tributes or significant references to movies, literature, and music in Psycho-Pass, JoJo’s Bizarre Adventure and Chuunibyou Demo Koi ga Shitai!, brilliant visual cues in Shin Sekai Yori, issues with the in-game populations in Sword Art Online, and some positives about the fanservice in Little Busters!
This week: anime-original characters in Chuunibyou Demo Koi ga Shitai!, memories as a storytelling device in Shin Sekai Yori, the persistent use of humor in Medaka Box Abnormal, and a duplication of colors in K.