Posts Tagged Manga
Art books are arguably my favorite item of anime merchandise (of which, I own 18). And Imai Kami is undoubtedly my favorite manga artist. So when the Imai Kami Visual Collection, Nirai Kanai, was announced to be sold in June 2014, I was positively ecstatic. For the first time, there would be a printed compilation of his various works from both Needless and Shirasunamura, as well as other works in magazines and online sources. However, there was a major bonus to this art book that made it even more unique and exceptional among its peers. Since its completion as a doujinshi in 1999, Imai Kami’s first printed work, the 330 page BLACK SPOT, was being reprinted and bundled with the art book. After 15 years, the work that originated Imai Kami’s career and was the foundation and basis for my favorite manga, Needless, was finally available to the public. Without a doubt, the Imai Kami Visual Collection is the best thing to happen to me in 2014.
Back, during the Summer anime season, for week 11: defining acute mountain sickness and understanding its role in Yama no Susume Second Season, why I absolutely love the development of Asseylum in Aldnoah.Zero, questioning the balance of character development and death in Akame ga Kill!, and thoughts on changing the name of Hanayamata to Hanayamatasa.
During the twelfth week of the season: my reflections on why Ping Pong the Animation had an excellent ending and why Ryuugajou Nanana no Maizoukin had an appropriate ending but one that left me unsatisfied, an analysis on the finale of Akuma no Riddle with a focus on Tokaku’s and Haru’s relationship (*Spoilers*), and thoughts on the utilization of the setting and the background art in Mushishi Zoku Shou.
This week: why the self-indulgent nature of anime and manga is mitigated in Inari, Konkon, Koi Iroha, how the art style of KILL la KILL exhibits importance and extravagance, curious about the ending for Chuunibyou Demo Koi ga Shitai! Ren, and why 12 episodes is too short for an anime like Noragami.
12 Days of Anime (2013) – Day 1 – The Final Chapter of Needless, the End to my Favorite Manga and the Tale of my Anime/Manga Revolution
On May 19, 2013, the June issue of Ultra Jump debuted as any normal issue of a mangazine would. However, this particular issue was noticeably different with an announcement following the 113rd chapter of Needless stating that next month’s chapter would be the final one. Without any preparation or any proper warning, the sudden and abrupt ending was only a month away. The announcement began to explain the accelerated pace of the last few chapters and the conclusions of many loose ends, but with so much more remaining and the peculiar developments of late, especially some of the absolutely shocking events in 113, you wondered just how the manga could end with an unfortunate amount of unanswered questions. But one month later, Needless 114 debuted and so ended the serialization of my favorite manga.
As with any finale, Needless 114 is and will be met with a variety of emotions and reactions among its fans, especially since the manga is ending quite abruptly after 10 years of serialization. For some, the response might be simple and straightforward, but for many, it will be complicated and conflicting, particularly for those still asking those unanswered questions or wanting just the slightest bit more. For me, being in the latter group, the Needless finale does leave me with mixed emotions. On one hand, the developments in these final chapters answered numerous questions, connected many loose story points together, gave the series a conclusion that truly unified the manga, its concepts and its story, and presented it in a way that’s ready to launch Needless into its continuation, Needless 2. On the other hand, there’s just that lingering sensation of feeling unsatisfied with this culmination, that these final chapters were rushed and that the manga didn’t end the way that it wanted. Or that it deserved.