Posts Tagged Memories
For Week 3: gushing about the setting of Shouwa Genroku Rakugo Shinjuu, questioning Satoru’s treatment of Hiromi in Boku Dake ga Inai Machi, a personality shift with a positive cause in Dimension W, and highlighting the brilliant animation in Kono Subarashii Sekai ni Shukufuku wo!
Let’s start 2016 with a proper farewell to 2015. Before we look forward to another year of anime, we should look back on 2015 and reflect on what made it one of the best years of anime in recent memory. There were numerous anime and characters that were incredible, dazzling, brilliant sensational, influential, and monumental in 2015, and today, I want to take a moment to provide my thoughts and opinions on the 15 most significant anime and characters from this last year. Come, take a look and re-experience why the anime of 2015 are so remarkable and unforgettable.
Every time I attend Sakura-Con, I experience something new. During my first visit, the friends, panels and convention itself stood out to me the most. For my second trip, the social interactions were the most memorable of my experiences, though I knew what to expect and was able to manage my time better. This year, however, I did not actively plan out any new activities or experiences, and mainly rested on the idea to just see my friends again, buy some more art books, and take it easy. However, the most memorable experience for me during Sakura-Con 2014 was something I never anticipated…
This week: why episode 13 of Yama no Susume Second Season might be the best episode of anime of 2014, distress and worry that Psycho-Pass 2 will be a fanservice anime or a shell of its former self, examining why the melee choreography of the fights of Fate/stay night: Unlimited Blade Works are so enjoyable, and concerns over the evolving comedy in Amagi Brilliant Park.
Back sometime, whenever week 11 was: questioning whether Ginko is happy or not in Mushishi Zoku Shou, why the infamous grins in Akuma no Riddle were perfect, examining the contrast between the different Kaoris in Isshuukan Friends, and a candidate for the best episode of anime of the year from Ping Pong the Animation.
Back whenever these episodes of anime aired: how detailing the background characters in Isshuukan Friends represents Kaori’s growth as a character, wondering if Adashino-sensei is Ginko’s only friend in Mushishi Zoku Shou, being frustrated with the expositions in No Game No Life, and why I’m going to miss Ryuugajou Nanana no Maizoukin when it’s over.
A long, long, long time ago, whenever these episodes aired: explaining why Ryuugajou Nanana no Maizoukin doesn’t need a villain, why the lives of Sora and Shiro are worse now than before in No Game No Life, thoughts on why the relationship between Tokaku and Haru isn’t a romance in Akuma no Riddle, and using variations in cinematography to keep the reaction shots interesting in JoJo’s Bizarre Adventure: Stardust Crusaders.