Posts Tagged Needless
Imai Kami’s premier manga, Needless, concluded with Chapter 114 in June of 2013, following a cherished 10 year run. In December 2013, Imai Kami’s other long-running manga of 7 years, Shirasunamura, also concluded. At the time Needless concluded, Kami expressed interest in taking a well-deserved break before returning to draw the latter half of Needless with his planned continuation called Needless 2. However, since that summer, Kami has been quiet as a mangaka, only working on 4koma comics for Arcadia magazine and releasing an art book in 2014. It wasn’t until January 2015 when I discovered that Kami had been working on a new manga in Arcadia magazine, Shoukan! Kengou Gakuen, with the first volume being available in February. Unable to find any useful information online, I waited patiently for the manga to be imported from Japan. Imai Kami’s new manga, Shoukan! Kengou Gakuen will be the focus for Day 1 of my 12 Days of Anime for 2015.
12 Days of Anime (2015) – Day 2 – Speaking with Hiromi Katou, Character Design for Needless, at Sakuracon
Hiromi Katou is a gifted and experienced talent, having a successful career in the anime industry through a variety of roles. Among his notable accomplishments, he was the character designs for Guilty Crown, Kobato., and Hakkenden, the animation directors for Beck, Gunslinger Stratos, and Fantasia Doll, and a key animator for Death Note, Azumanga Daioh, Shingeki no Kyojin, and many more. However, his most distinguished achievement, to me at least, is that he was the character design for Needless, which you might guess from previous posts is my favorite anime. I was extremely fortunate that Hiromi Katou was invited as a guest for Sakuracon this year and made sure to visit his Q&A panel, so that I could ask him some questions regarding Needless. So, for Day 2 of my 12 Days of Anime, I’ll recall my time with Hiromi Katou and the answers he provided about his experience with Needless.
Today, December 20th, marks the 5 Year Anniversary of Avvesione’s Anime Blog. As I’ve done with every anniversary post, I reflect upon the previous year and provide my input on the most valuable lesson I learned in terms of watching anime and writing for this blog. This year has been quite turbulent and chaotic, with countless new transitions, obstacles, responsibilities, and challenges – easily the busiest year of my entire life to date. As a result, I’ve had very little time to watch anime and even less dedicated to this blog. It pains me that I haven’t had as much time or energy this year to keep up with currently airing anime or write my weekly or seasonal posts, but it has helped me realize a valuable lesson, one that I may have overlooked since I started writing for this blog back in 2010. So, with that in mind, I’d like to share with you the most important lesson I learned in 2015 which is to make sure you’re having fun with anime.
Art books are arguably my favorite item of anime merchandise (of which, I own 18). And Imai Kami is undoubtedly my favorite manga artist. So when the Imai Kami Visual Collection, Nirai Kanai, was announced to be sold in June 2014, I was positively ecstatic. For the first time, there would be a printed compilation of his various works from both Needless and Shirasunamura, as well as other works in magazines and online sources. However, there was a major bonus to this art book that made it even more unique and exceptional among its peers. Since its completion as a doujinshi in 1999, Imai Kami’s first printed work, the 330 page BLACK SPOT, was being reprinted and bundled with the art book. After 15 years, the work that originated Imai Kami’s career and was the foundation and basis for my favorite manga, Needless, was finally available to the public. Without a doubt, the Imai Kami Visual Collection is the best thing to happen to me in 2014.
Today is this blog’s fourth birthday, and the traditional way I’ve chosen to celebrate this anniversary has been to reflect upon a valuable lesson that I’ve learned since the last December 20th. Of course, these posts are always a cover for me to needlessly post pictures of Setsuna everywhere, but the topic of this post relates to a previous post in this year’s 12 Days of Anime series as well as a couple of future posts that will appear later on. The theme between these posts is on the challenges and difficulties inherent in following anime within a dense, tight schedule, and the focus of this post is learning how to manage these obstacles and accept certain complications.
Back during Week 10: expanding my theory about the primary and secondary focuses of Hanayamata, an example of the magnificent cinematography in Zankyou no Terror, what made episode 23 of Captain Earth the best in that anime, and the return of the subtle yet sensational running gag in Space Dandy Season 2.