Posts Tagged Philosophies
This week: analyzing the delicate balance between entertainment and realism in Shirobako, questioning the subjectivity of evidence and judgments in Death Parade, justifying what makes the setting so successful and vibrant in Durarara!!x2 Shou, and gushing about the unique personality in The Rolling Girls.
This week: an analysis on the subtitle of Aldnoah.Zero and the meaning of fiat justitia ruat caelum, thoughts on the rigid, formulaic pattern of storytelling in Barakamon, the lack of character independence and the emphasis of friendship in Glasslip, and looking at the difference (if there is a difference) between Lisa and moe anime girls in Zankyou no Terror.
I am terrible at staying up to date with these posts, but whatever. Back during Week 5: concerns with the directing and storytelling in Tokyo Ghoul, considering the depth and complexity of Hanayamata despite its appearance, curiosity about the different perspectives in Yama no Susume Second Season, and wondering all the other things you could do with a Stand in JoJo’s Bizarre Adventure: Stardust Crusaders.
This week: questioning the purpose of Yukine’s self-study in Noragami, rationalizing the roles of the anime-original characters and the stagnated romance in Chuunibyou Demo Koi ga Shitai! Ren, why I wish Silver Spoon had virtually no comedy, and the unnoticed, ‘other’ languages in Space Dandy.
This week: why the beach episode of Suisei no Gargantia is entirely appropriate and meaningful, what we can infer about the settings in Hataraku Maou-sama! and how they will dictate the story from here onward, why I have been impressed with how Devil Survivor 2 handles its extensive cast, and the main reason why we return to Kakumeiki Valvrave every week.
This week: Being logical versus being theatrical in Zetsuen no Tempest, questioning the philosophical arguments in Psycho-Pass, why you can never make Kudryavka’s story sad in Little Busters!, and why Shinobu is the best character in Chihayafuru 2.
The flow of fate is a fascinating concept, a theory which dictates the existence of a predestined ‘proper’ direction for the world to follow. As we’ve learned from Ugo, there are those who fight to maintain this path and work to keep the world in the vision of Solomon’s wisdom. Others, however, are opposed to this path and fight against it, laboring against this flow of fate to improve their power and their lives at the expense of Solomon’s plan. Because of this dichotomy, the conflicting sides fighting to improve their own personal goals, one has to wonder if there is a ‘right’ and a ‘wrong’ side to Magi or if the two are blurred and ambiguous with each sharing some positives and negatives alike.