Posts Tagged Questions
Back during Week 5: the indecisiveness of Plastic Memories and why it doesn’t know what it wants to be as an anime, how changing the powers in Yamada-kun to 7-nin no Majo changes the series dynamic, background characters beginning to differentiate themselves in Hibike! Euphonium, and cute girls being immune to still-image “animation” in Ninja Slayer from Animation.
The beginning of Spring is known for one thing in Japan and one thing only: a new season of anime. Also cherry blossoms and probably several other things, but those aren’t nearly as iconic to springtime in Japan as the debut of roughly 50 new TV anime in addition to an ever growing number of shorts, OVAs, and movies. As always, the focus of these previews will be on the newly airing TV anime which I will provide my assessment and plans for the next three months. What, exactly, should we be looking forward to for the Spring 2015 anime season?
This week: one of the primary reasons why Shirobako is one of my favorite anime of all-time, questioning other factors outside the arbiter’s control in assessing souls in Death Parade, contrasting the younger and older pilots in Soukyuu no Fafner – Dead Aggressor: Exodus, and my issues with the overpowering symbolism in Yuri Kuma Arashi.
For Week 5: analyzing the role of the ‘colorless’ background characters in Durarara!!x2 Shou, a tribute to the border security girls running the checkpoints in The Rolling Girls, issues with how the fights end in JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and wondering about a future business opportunity for Shinku and the others in Dog Days’’.
A while back, whenever Week 4 was: appreciating the change from producing episodes to producing an anime series in Shirobako, teenager mecha pilots who actually act and behave like teenagers in Soukyuu no Fafner – Dead Aggressor: Exodus, questioning Lulu’s character development in Yuri Kuma Arashi, and finally realizing why Fubuki is the main character of Kantai Collection.
Last week: analyzing the literary conflict in Yuri Kuma Arashi, appreciating the non-linear yet logical storytelling in Durarara!!x2 Shou, acknowledging the effectiveness of the “business card” introductions in Shirobako, and thoughts on the contrasting fashion and sexual themes in Junketsu no Maria.
This week: analyzing the delicate balance between entertainment and realism in Shirobako, questioning the subjectivity of evidence and judgments in Death Parade, justifying what makes the setting so successful and vibrant in Durarara!!x2 Shou, and gushing about the unique personality in The Rolling Girls.