Posts Tagged Real World
Last week: questioning the relevance of Isla being a robot in Plastic Memories, considering the skill of the professionals playing the instruments in Hibike! Euphonium, Joseph Joestar’s amazing achievement at the end of JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and criticizing the monotonous comedy in Ore Monogatari!!
This week: why Hibike! Euphonium, a school club anime, feels more ‘school club’ than ‘anime’, the background art as an indicator of quality and personality in Fate/stay Night: Unlimited Blade Works, how the scarcity of direct fights negatively affects JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and inherent positives with 3D animation in Sidonia no Kishi: Daikyuu Wakusei Seneki.
This week: concerns over the content and direction of Plastic Memories, determining a time and place for Arslan Senki, censorship in Fate/stay Night: Unlimited Blade Works, and the wonderful return of Kakyoin in JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc.
This week: one of the primary reasons why Shirobako is one of my favorite anime of all-time, questioning other factors outside the arbiter’s control in assessing souls in Death Parade, contrasting the younger and older pilots in Soukyuu no Fafner – Dead Aggressor: Exodus, and my issues with the overpowering symbolism in Yuri Kuma Arashi.
For Week 5: analyzing the role of the ‘colorless’ background characters in Durarara!!x2 Shou, a tribute to the border security girls running the checkpoints in The Rolling Girls, issues with how the fights end in JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and wondering about a future business opportunity for Shinku and the others in Dog Days’’.
This week: analyzing the delicate balance between entertainment and realism in Shirobako, questioning the subjectivity of evidence and judgments in Death Parade, justifying what makes the setting so successful and vibrant in Durarara!!x2 Shou, and gushing about the unique personality in The Rolling Girls.