Posts Tagged Real World
For Week 5: analyzing the role of the ‘colorless’ background characters in Durarara!!x2 Shou, a tribute to the border security girls running the checkpoints in The Rolling Girls, issues with how the fights end in JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and wondering about a future business opportunity for Shinku and the others in Dog Days’’.
This week: analyzing the delicate balance between entertainment and realism in Shirobako, questioning the subjectivity of evidence and judgments in Death Parade, justifying what makes the setting so successful and vibrant in Durarara!!x2 Shou, and gushing about the unique personality in The Rolling Girls.
Art books are arguably my favorite item of anime merchandise (of which, I own 18). And Imai Kami is undoubtedly my favorite manga artist. So when the Imai Kami Visual Collection, Nirai Kanai, was announced to be sold in June 2014, I was positively ecstatic. For the first time, there would be a printed compilation of his various works from both Needless and Shirasunamura, as well as other works in magazines and online sources. However, there was a major bonus to this art book that made it even more unique and exceptional among its peers. Since its completion as a doujinshi in 1999, Imai Kami’s first printed work, the 330 page BLACK SPOT, was being reprinted and bundled with the art book. After 15 years, the work that originated Imai Kami’s career and was the foundation and basis for my favorite manga, Needless, was finally available to the public. Without a doubt, the Imai Kami Visual Collection is the best thing to happen to me in 2014.
Have you ever been conflicted with an anime, whether you want to drop it or keep it? Of course, the situation occurs with every new anime season and happens more often than we’d like. Sure, the anime is worthwhile – either due to its comedy or interesting characters or a new concept or design… but then there’s a lot of boring elements too, like a lot of downtime or parts that irritate us. Or maybe the reason is that we just can’t keep with shows due to our busy schedules, something that I have as a recurring theme in these 12 Days of Anime posts. So what can we do if we want to watch only the good parts of an anime without all the bad parts?
Today is this blog’s fourth birthday, and the traditional way I’ve chosen to celebrate this anniversary has been to reflect upon a valuable lesson that I’ve learned since the last December 20th. Of course, these posts are always a cover for me to needlessly post pictures of Setsuna everywhere, but the topic of this post relates to a previous post in this year’s 12 Days of Anime series as well as a couple of future posts that will appear later on. The theme between these posts is on the challenges and difficulties inherent in following anime within a dense, tight schedule, and the focus of this post is learning how to manage these obstacles and accept certain complications.
- Giving a Bad Anime a Chance (Softenni, 2011)
- Giving a Forgotten Anime a Chance (Yuru Yuri, 2012)
- Giving a Disappointing Anime a Second Chance (Tamayura ~more aggressive~, 2013)
For every rendition of this tradition, I have attempted to cover a distinctive and different focus with each post. The first year was on an anime that I originally deemed bad, but stuck with it to see if I could salvage some entertainment from it. The second year reflected an anime I never gave a chance to, not even an episode when it first came out. The third year was on a sequel to an anime that I was frustrated and dissatisfied with and was originally planning on skipping. Here, for my 2014 version about giving an anime a chance, I look back at a greatly admired, highly acclaimed, and universally respected anime that I never made an effort to watch in my many years of watching anime. For Day 8, I will reflect upon watching Mushishi, and how that watching this renowned anime was one of the highlights of my year.