Posts Tagged Seiyuu
Today is a time to rejoice as we celebrate six years of Avvesione’s Anime Blog. And while I typically use this post as an excuse to post screenshots of Setsuna from Needless to write about my lessons in anime or blogging from the previous year, I find myself lacking in subjects or ideas that weren’t communicated in years passed. But I suppose I should consider myself fortunate for reserving the time to pen a post; this is just my fourth post in the last seven months. Or perhaps more sobering truth of my current situation: in my first 3 years I published exactly 500 posts, whereas in the last 3 years I have only completed 139.
Really, I’d love nothing more than to continue to write about anime and to discuss anime with others, but it’s nearly impossible to find the time these days. Instead of doing the usual for my anniversary posts, I’ll do what I’ve longed to do these last few months and write about the Autumn 2016 anime season!
Every year, I recall my favorite anime openings and endings in my Final Review, selecting my very favorites from each of the four Season Reviews that settle at the end of each season. But, seeing as I haven’t published a Season Review since 2013 and given that there is no other time to document my favorite OPs/EDs of the year, I have reserved Day 3 of my 12 Days of Anime for 2015 for this lacking quality of mine. Of course, I won’t reveal my favorite OP and ED of the year just yet (that will be reserved for the Final Review of 2015), but here are some of my favorites that I would love to share with you. Now, please enjoy 8 of my Top 10 Openings and Endings for 2015.
Last week: two things I wish they did more of in Gakkou Gurashi, celebrating the rural setting of Non Non Biyori Repeat, deliberating the lack of anime voice acting roles in Sore ga Seiyuu!, and the lack of Maya Matsumoto in the finale of Working!!!.
Back during Week 5: the indecisiveness of Plastic Memories and why it doesn’t know what it wants to be as an anime, how changing the powers in Yamada-kun to 7-nin no Majo changes the series dynamic, background characters beginning to differentiate themselves in Hibike! Euphonium, and cute girls being immune to still-image “animation” in Ninja Slayer from Animation.
This week: analyzing the delicate balance between entertainment and realism in Shirobako, questioning the subjectivity of evidence and judgments in Death Parade, justifying what makes the setting so successful and vibrant in Durarara!!x2 Shou, and gushing about the unique personality in The Rolling Girls.