Posts Tagged Society
This week: reading between the lines of Miki’s decision and her subsequent character development in Gakkou Gurashi, criticisms over the number of disrupting flashbacks in Gangsta., complaints over the expansion of Hajime’s breasts in Gatchaman Crowds Insight, and chuckling at how Charlotte handles Ayumi’s “death”.
Timeskips are among my favorite narrative devices in anime. In fact, if I were ever to write an anime myself, I’d definitely have a timeskip in there somewhere. Hell, maybe even two. Timeskips are a brilliant means to advance a continuous story between two periods of time, allowing the plot or characters or setting to transform radically without showing the unrelated events in-between. And that’s exactly what happened in Nagi no Asukara. At the midpoint in the anime, following a climax at the end of the Autumn 2013 season, Nagi no Asukara experienced a timeskip where everything changed. The characters, setting, and plot were all different between the first-half and second-half of Nagi no Asukara. However, there is one significant detail about this unique timeskip that makes it one of my most favorite timeskips ever.
Last week: why the third episode of Space Dandy Season 2 might be my favorite of the year, an analysis on the diversity of rural settings and how the specifics of this are impacting Barakamon, some egregious contradictions with the mecha in Aldnoah.Zero, and some serious questions about the structure and purpose of Night Raid in Akame ga Kill!
This week: how altering one aspect of Captain Earth will greatly improve the anime, thoughts on why the setting is the best aspect of No Game No Life and how it makes it one of the best anime this season, rationalizing Chaika’s speech pattern in Hitsugi no Chaika and why it isn’t moe marketing and an example of visual details and symbolism in Ping Pong the Animation.
This week: questioning the purpose of Yukine’s self-study in Noragami, rationalizing the roles of the anime-original characters and the stagnated romance in Chuunibyou Demo Koi ga Shitai! Ren, why I wish Silver Spoon had virtually no comedy, and the unnoticed, ‘other’ languages in Space Dandy.
This week: how the cinematography aided in the visually magnificent episode plant planet of Space Dandy, thoughts on the resolution of Gotou’s girlfriend in Samurai Flamenco, remembering the first half of Magi, and trying to make sense of what Manaka lost in Nagi no Asukara.
This week: why the self-indulgent nature of anime and manga is mitigated in Inari, Konkon, Koi Iroha, how the art style of KILL la KILL exhibits importance and extravagance, curious about the ending for Chuunibyou Demo Koi ga Shitai! Ren, and why 12 episodes is too short for an anime like Noragami.