Posts Tagged Society
After three episodes, we understand that the Kizuna system is able to sense, quantify, transmit, and inflict pain in Kiznaiver. Pain is the instrument used to connect and unite these seven unfamiliar classmates; it is the foundation for which to improve awareness, understanding, and sympathy within this fragmented society. But what exactly is pain in Kiznaiver? Or rather, given the broad and general meaning of pain, what type of pain are the characters dealing with? Do the members involved in this experiment experience the same perception and reaction to pain? And just how does this definition and understanding of pain influence the characters and story of this anime? This post on the third episode of Kiznaiver attempts to better under the characterization and role of pain used in Kiznaiver.
For Week 4: adoring the transformation and westernization of the setting in Shouwa Genroku Rakugo Shinjuu, the authenticity, weight, and significance of battles in Hai to Gensou no Grimgar, why the letterbox formatting is my favorite directing decision of Boku Dake ga Inai Machi, and disruption in the sense of community in Durarara!!x2 Ketsu.
I’ve said it before and I’ll say it again: the setting is my favorite aspect of anime. To me, it is the most significant attribute of an anime because the setting is the foundation for which the stories and characters are shaped and constructed, the ground from which they grow and progress. It is what provides the story and the characters with the appropriate tools, direction, and limitations for which we, as an audience, are able to watch, appreciate, and enjoy. And the setting is more than just a pretty backdrop, but one that defines the culture, society, technology, clothing, architecture, geography, climate, diet, and lives of the characters we love. As a result, I absolutely adore any anime with a captivating, distinctive, and inspired setting because of how it influences the story and the characters. And that brings me to Death Parade and the Quindecim, arguably my favorite setting in all of anime for 2015.
This week: reading between the lines of Miki’s decision and her subsequent character development in Gakkou Gurashi, criticisms over the number of disrupting flashbacks in Gangsta., complaints over the expansion of Hajime’s breasts in Gatchaman Crowds Insight, and chuckling at how Charlotte handles Ayumi’s “death”.
Timeskips are among my favorite narrative devices in anime. In fact, if I were ever to write an anime myself, I’d definitely have a timeskip in there somewhere. Hell, maybe even two. Timeskips are a brilliant means to advance a continuous story between two periods of time, allowing the plot or characters or setting to transform radically without showing the unrelated events in-between. And that’s exactly what happened in Nagi no Asukara. At the midpoint in the anime, following a climax at the end of the Autumn 2013 season, Nagi no Asukara experienced a timeskip where everything changed. The characters, setting, and plot were all different between the first-half and second-half of Nagi no Asukara. However, there is one significant detail about this unique timeskip that makes it one of my most favorite timeskips ever.
Last week: why the third episode of Space Dandy Season 2 might be my favorite of the year, an analysis on the diversity of rural settings and how the specifics of this are impacting Barakamon, some egregious contradictions with the mecha in Aldnoah.Zero, and some serious questions about the structure and purpose of Night Raid in Akame ga Kill!
This week: how altering one aspect of Captain Earth will greatly improve the anime, thoughts on why the setting is the best aspect of No Game No Life and how it makes it one of the best anime this season, rationalizing Chaika’s speech pattern in Hitsugi no Chaika and why it isn’t moe marketing and an example of visual details and symbolism in Ping Pong the Animation.