Posts Tagged Sound
Last week: questioning the relevance of Isla being a robot in Plastic Memories, considering the skill of the professionals playing the instruments in Hibike! Euphonium, Joseph Joestar’s amazing achievement at the end of JoJo’s Bizarre Adventure: Stardust Crusaders – Egypt Arc, and criticizing the monotonous comedy in Ore Monogatari!!
The beginning of Spring is known for one thing in Japan and one thing only: a new season of anime. Also cherry blossoms and probably several other things, but those aren’t nearly as iconic to springtime in Japan as the debut of roughly 50 new TV anime in addition to an ever growing number of shorts, OVAs, and movies. As always, the focus of these previews will be on the newly airing TV anime which I will provide my assessment and plans for the next three months. What, exactly, should we be looking forward to for the Spring 2015 anime season?
The first day of 2015 means it’s the first day we can turn, look back, and reflect upon 2014 as a whole. Today, I aim to present the results of my own introspection and analysis on all the anime I watched in 2014. I will present my final thoughts on the most remarkable, memorable and outstanding anime that aired in 2014 by revealing lists for both my favorite characters of the year and the top anime of 2014. So, how exactly will I remember 2014, and which of the anime that aired is simply the best to me?
I never watched an episode of Witch Craft Works when it aired in Winter 2014. However, I have a certain fascination for anime openings and endings where there are adorable chibi characters singing and dancing. For example, my favorite ED in 2012 was Kill Me Baby, with that unforgettable song and dance. The Joshiraku ED and Jinrui wa Suitai Shimashita OP were also worth mentioning in 2012 for my 12 Days of Anime, too. With that in mind, it shouldn’t be surprising to learn that when Witch Craft Works first aired, I was positively curious about the ED song and sequence that managed to charm its criticizing audience and received a disproportionate amount of praise compared to the rest of the episode.
Whenever Week 4 was, probably a long, long time ago: thoughts and observations on the symbolism of darkness and light in Zankyou no Terror, questioning the accuracy and reliability of Touko’s special ability in Glasslip, becoming unhappy with the direction Tokyo Ghoul is taking in relation to its story and its content, and a short rant on student governments and school clubs inspired by Hanayamata.