Posts Tagged Style
This week: why I detest the style of narration and extended “flashback” in Shouwa Genroku Rakugo Shinjuu, captivation with the advancement in fighting in Hai to Gensou no Grimgar, powerful, simple, and weird shots in Dimension W, and why I consider Koukaku no Pandora to be a slice-of-life anime.
For Week 3: gushing about the setting of Shouwa Genroku Rakugo Shinjuu, questioning Satoru’s treatment of Hiromi in Boku Dake ga Inai Machi, a personality shift with a positive cause in Dimension W, and highlighting the brilliant animation in Kono Subarashii Sekai ni Shukufuku wo!
I’ve said it before and I’ll say it again: the setting is my favorite aspect of anime. To me, it is the most significant attribute of an anime because the setting is the foundation for which the stories and characters are shaped and constructed, the ground from which they grow and progress. It is what provides the story and the characters with the appropriate tools, direction, and limitations for which we, as an audience, are able to watch, appreciate, and enjoy. And the setting is more than just a pretty backdrop, but one that defines the culture, society, technology, clothing, architecture, geography, climate, diet, and lives of the characters we love. As a result, I absolutely adore any anime with a captivating, distinctive, and inspired setting because of how it influences the story and the characters. And that brings me to Death Parade and the Quindecim, arguably my favorite setting in all of anime for 2015.
Last week: two things I wish they did more of in Gakkou Gurashi, celebrating the rural setting of Non Non Biyori Repeat, deliberating the lack of anime voice acting roles in Sore ga Seiyuu!, and the lack of Maya Matsumoto in the finale of Working!!!.