Posts Tagged That’s Not How Science Works
This week: why episode 13 of Yama no Susume Second Season might be the best episode of anime of 2014, distress and worry that Psycho-Pass 2 will be a fanservice anime or a shell of its former self, examining why the melee choreography of the fights of Fate/stay night: Unlimited Blade Works are so enjoyable, and concerns over the evolving comedy in Amagi Brilliant Park.
Last week: why the third episode of Space Dandy Season 2 might be my favorite of the year, an analysis on the diversity of rural settings and how the specifics of this are impacting Barakamon, some egregious contradictions with the mecha in Aldnoah.Zero, and some serious questions about the structure and purpose of Night Raid in Akame ga Kill!
Not even four weeks ago, when episode 7 of Samurai Flamenco aired, it seemed like another ordinary episode with heroes solving petty crimes… or at least attempting to. After a handful of episodes with Hazama as a costumed superhero, followed closely behind by a courageous trio of idols, the Flamenco Girls, the world of Samurai Flamenco found itself bored with its premise. In fact, the characters felt bored too, with the drop in crime, the reduction in activity and even a decline in interest from Gotou and the police. Something needed to shake up this series, right? And then came the big reveal. Yup, it was that one big moment in Samurai Flamenco. We learned that Hazama’s parents were murdered. The case was never solved. It was devastating. It was perturbing. It was going to be the biggest thing in Samurai Flamenco, shifting the direction of the series in a whole new direction. You figured nothing would top that, right? Right?
This week: further analysis on Mako’s character, helping proving her true value in KILL la KILL, an exceptional, cunning and innovative moment in BlazBlue: Alter Memory, questioning why all scientists are crazy in anime based from Kakumeiki Valvrave (S2), and complaints of Shounen Fight Syndrome in Yozakura Quartet: Hana no Uta.
This week: an analysis of Mako’s character in KILL la KILL, developing the racist schoolgirls into characters in Nagi no Asukara, enjoying the level of detail in the setting of Samurai Flamenco, and pretty much hating the Galileo aspects of Galilei Donna.