Posts Tagged Unpredictable
This week: difficulty with the ambiguities, interpretations and inconsistencies with the games in No Game No Life, the mounting evidence on why I think Yuuki has more problems than Kaori in Isshuukan Friends, envisioning what modern science and medicine would uncover about the mushi in Mushishi Zoku Shou, and looking at the differences between the late-90s and now with Ping Pong the Animation.
With Winter 2014 zigzagging along and reaching the finales in the next couple of weeks, now is an ideal time to look ahead to and prepare for the Spring 2014 anime season. Once April arrives, dozens of new anime will begin and several franchises will return to TVs in the forms of sequels, alternative stories or simple rebroadcasts. Based on numbers alone, Spring 2014 appears to be one of the largest anime seasons in terms of total volume. In addition to the abundance of this season, there is quite a diversity of anime, too, making this season more of an unknown or a mystery than others. So what exactly does this new anime season have to offer? Below is an extensive list of the anime for Spring 2014 along with my thoughts and opinions for each one.
This week: how transitioning focus away from the cantus has strengthened Shin Sekai Yori, how the diversity of settings in Battle Spheres reflect on the characters in Senran Kagura, the brilliant cinematography utilized in Tamako Market, and finally realizing what’s important in Sakurasou no Pet na Kanojo.
The dawn of 2013 means the beginning of another new anime season, the Winter 2013 anime season to be precise. Seeing as we’ll be spending the new few months with a number of these anime, it’s time to look ahead and examine these new show as a means to prepare for the upcoming season. With a number of charts, lists and impressions already out there, here’s my personal take on the Winter 2013 anime season.
There is a line that separates good and evil but, depending on your perception and your circumstances, the line may be displaced, blurred or somehow obscure and therefore indiscernible. Within Needless, this line has shifted, slanted, curved and distorted to show that the characters are not accurately bound to the traditional labels of “good guys” or “bad guys”. And because of this ambiguity regarding these ethics, it has allowed the characters to freely switch and flip side given their personality and the situations they find themselves in. In fact, it’s rather difficult to tell who’s what anymore besides the few central characters at the heart of the story. And because of this inability to distinguish good from evil and vice versa, it has accounted for numerous surprises, remarkable character growth, several entrancing fights and, perhaps greatest of all, even more unpredictable fun and amusement. **Warning: spoilers below**