Posts Tagged Writing
Last week: analyzing the literary conflict in Yuri Kuma Arashi, appreciating the non-linear yet logical storytelling in Durarara!!x2 Shou, acknowledging the effectiveness of the “business card” introductions in Shirobako, and thoughts on the contrasting fashion and sexual themes in Junketsu no Maria.
This week: analyzing the delicate balance between entertainment and realism in Shirobako, questioning the subjectivity of evidence and judgments in Death Parade, justifying what makes the setting so successful and vibrant in Durarara!!x2 Shou, and gushing about the unique personality in The Rolling Girls.
The first day of 2015 means it’s the first day we can turn, look back, and reflect upon 2014 as a whole. Today, I aim to present the results of my own introspection and analysis on all the anime I watched in 2014. I will present my final thoughts on the most remarkable, memorable and outstanding anime that aired in 2014 by revealing lists for both my favorite characters of the year and the top anime of 2014. So, how exactly will I remember 2014, and which of the anime that aired is simply the best to me?
Every year, I make an attempt to determine what single episode of every anime that I watched that was my absolute favorite. For some years, the decision is easy, such as 2011 (Puella Magi Madoka Magica episode 10) and 2012 (Sengoku Collection episode 18). For other years, it’s a real challenge. It’s demanding when you’re trying to decide between a number of exceptional episodes with no clear choice. For me, 2014 is the latter with three candidates vying for the honor of my favorite episode of the year. And since I remain undecided on this evaluation, still mulling my opinions for each, I’ll present the three episodes here to illustrate what I am going through.
The anime specials that are included as bonus materials on BDs and DVDs are frequently overlooked and underappreciated as individual anime. Yes, these specials are certainly subpar compared to their respective parent anime, but considering their limited animation budget and restrained writing, it’s unfair to categorize these shorts in the same venue as we do with TV anime. In fact, quite a few of these BD/DVD specials succeed as genuinely entertaining in spite of these restrictions, supplementing these serious TV anime with lighthearted comedy and mild fanservice. And if you want an example of an effective and rewarding BD/DVD special anime, look no further than the Shingeki no Kyojin Picture Drama, a 9-episode series with the main cast as chibi characters enduring constant hardships during their days in the military training program.
Today is this blog’s fourth birthday, and the traditional way I’ve chosen to celebrate this anniversary has been to reflect upon a valuable lesson that I’ve learned since the last December 20th. Of course, these posts are always a cover for me to needlessly post pictures of Setsuna everywhere, but the topic of this post relates to a previous post in this year’s 12 Days of Anime series as well as a couple of future posts that will appear later on. The theme between these posts is on the challenges and difficulties inherent in following anime within a dense, tight schedule, and the focus of this post is learning how to manage these obstacles and accept certain complications.
This week: why episode 13 of Yama no Susume Second Season might be the best episode of anime of 2014, distress and worry that Psycho-Pass 2 will be a fanservice anime or a shell of its former self, examining why the melee choreography of the fights of Fate/stay night: Unlimited Blade Works are so enjoyable, and concerns over the evolving comedy in Amagi Brilliant Park.